The wonders of Possibility, sci-fi anthology, under the supervision of Sergio Solmi and Carlo Fruttero, Einaudi Edition.
Raymond Queneau. First page from Cent Mille Milliards de Poèmes, 1961
From Wikipedia: They are printed on card with each line on a separated strip, like a heads-bodies-and-legs book, a type of children’s book with which Queneau was familiar. As all ten sonnets have not just the same rhyme scheme but the same rhyme sounds, any lines from a sonnet can be combined with any from the nine others, so that there are 1014 (= 100,000,000,000,000) different poems. It would take some 200,000,000 years to read them all, even reading twenty-four hours a day. When Queneau ran into trouble while writing the poem(s), he solicited the help of mathematician Francois Le Lionnais, and in the process they initiated Oulipo.
Georges Perec, Map of chess moves he used to compose his novel Life: a user’s manual.
Raymond Queneau
Georges Perec at Place Saint-Sulpice cafè, photo by Pierre Getzler
October 1974, Saint-Sulpice Square in Paris. A man is sitting on a terrace. On his table there’s a notebook, which he is conscientiously filling in with everything happening in front of him: letters, like K, L, M, or P (for parking). Symbols, and numbers: 86 for the bus, a 6 that indicates that we are in the 6th district in Paris; fugitive slogans from advertising; a stone for the fountain; the church, buildings; trees; a piece of sky; pigeons; vehicles; human beings; dogs; bread (Baguette), a salad. Colors: red for cars, blue for bags, green for shoes, blue for taxis.
Simultaneousness of actions or micro events: postures, gestures, discussions with two, three, sometimes more people; a man with a briefcase, two men smoking pipes, a woman with a coat, people that are gathering in front of the church, a man with a bow tie, three children coming from school, a priest, a man stopping to stroke a dog, a woman waiting for a taxi, two beaming Japanese tourists, a couple, a man with tics, a policeman with a bike. Every kind of activity: to wait, to stroll, to wander, to walk, to run, to go, to look for something, to hesitate, to stay, to wait for the bus, to stand, to get up.
Elements like a fountain, a kiosk, and a group of trees are all standing at a center. The surroundings are historical buildings, with a church on one side. There is a possibility to make a plan, to make an order, a framework with elements fixed in space, grounded in space, lifeless: Saint Sulpice Square is organized as a cube.
Italo Calvino and Jorge Luis Borges