Ain Sakhri lovers figurine

This is the oldest known sculpture of a human couple making love. The natural shape of a calcite cobble has been used to represent the outline of the lovers.

via: British Museum | more: BBC

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Blackboard drawings by Rudolf Steiner

John Arden Hiigli. Chrome 194, 2011  Transparent Oil on Linen Canvas










Through  a process known as subdivision a tetrahedron can be broken down to  infinity.  Subdivision produces the cyclical growth of other structures,  such as the cube octahedron (CUO).  The lowest frequency tetrahedron  capable of “growing” a cube octahedron is the four-frequency  tetrahedron.  The eight-frequency tetrahedron produces a two-frequency  cube octahedron as well.  The sixteen-frequency tetrahedron produces a  nuclear CUO, a nuclear two-frequency CUO and a nuclear four-frequency  CUO. Thus we can say that the sub-division of polyhedra manifests a  natural space characterized by transformation and change of scale.    Scale change involves systems in which the size of individual forms  vary incessantly while the proportions and characteristic shapes of  these forms remain constant.  These forms and their proportions can be  grouped in a regular sequence in which the elements of the sequence  constitute an infinite series. Such “scale-invariant” sequences occur in  nature (the leaf’s nervure, the laceration of the fern, the widening or  narrowing line of the snail shell, the shoreline of the continents,  etc).  This “invariability” is also a characteristic of fractal  geometry. In the Isotropic Vector Matrix the potential for scale change  is related to infinite transformation.  With every doubling (or halving)  of edge-length the volume increases (or decreases) by eight (8),  equivalent to the octave in music. The artistic strategy of using  transparent oil paint makes it possible to explore and communicate this  world of higher dimensions.  Scale shifting, or scale change, as well as the repetitious logic  enabling it, is known in mathematics as “iteration,” hence the term  “iterative mathematics/geometry”. It is a particular feature of IVM that  is a useful tool in both mathematics and art education.  In particular  scale change provides a tool of measurement with which to evaluate angle  & distance information.

via: bridges math art

John Arden Hiigli. Chrome 194, 2011
Transparent Oil on Linen Canvas

Through a process known as subdivision a tetrahedron can be broken down to infinity. Subdivision produces the cyclical growth of other structures, such as the cube octahedron (CUO). The lowest frequency tetrahedron capable of “growing” a cube octahedron is the four-frequency tetrahedron. The eight-frequency tetrahedron produces a two-frequency cube octahedron as well. The sixteen-frequency tetrahedron produces a nuclear CUO, a nuclear two-frequency CUO and a nuclear four-frequency CUO. Thus we can say that the sub-division of polyhedra manifests a natural space characterized by transformation and change of scale. Scale change involves systems in which the size of individual forms vary incessantly while the proportions and characteristic shapes of these forms remain constant. These forms and their proportions can be grouped in a regular sequence in which the elements of the sequence constitute an infinite series. Such “scale-invariant” sequences occur in nature (the leaf’s nervure, the laceration of the fern, the widening or narrowing line of the snail shell, the shoreline of the continents, etc). This “invariability” is also a characteristic of fractal geometry. In the Isotropic Vector Matrix the potential for scale change is related to infinite transformation. With every doubling (or halving) of edge-length the volume increases (or decreases) by eight (8), equivalent to the octave in music. The artistic strategy of using transparent oil paint makes it possible to explore and communicate this world of higher dimensions. Scale shifting, or scale change, as well as the repetitious logic enabling it, is known in mathematics as “iteration,” hence the term “iterative mathematics/geometry”. It is a particular feature of IVM that is a useful tool in both mathematics and art education. In particular scale change provides a tool of measurement with which to evaluate angle & distance information.
Jaq Chartier.Sun Test: Color Shiftersacrylic, stains and paint on wood panel
A stain is a discoloration that can be clearly distinguished from  the surface, material, or medium it is found upon. Stains are caused by  the chemical or physical interaction of two dissimilar materials.  Stains are used intentionally in a variety of fields, including in research, technology, and art.

Jaq Chartier.Sun Test: Color Shifters
acrylic, stains and paint on wood panel

A stain is a discoloration that can be clearly distinguished from the surface, material, or medium it is found upon. Stains are caused by the chemical or physical interaction of two dissimilar materials. Stains are used intentionally in a variety of fields, including in research, technology, and art.

Peter Zimmermann. Kith and Kin, 2010Airbrush and epoxy resin.
Epoxy, also known as polyepoxide, is a thermosetting polymer formed from reaction of an epoxide “resin” with polyamine “hardener”. Epoxy has a wide range of applications, including fiber-reinforced plastic materials and general purpose adhesives.
Two part epoxy coatings were developed for heavy duty service on metal substrates and use less energy than heat-cured powder coatings.  These systems use a 4:1 by volume mixing ratio, and dry quickly  providing a tough, protective coating with excellent hardness. Their low  volatility and water clean up makes them useful for factory cast iron,  cast steel, cast aluminium applications and reduces exposure and  flammability issues associated with solvent-borne coatings. They are  usually used in industrial and automotive applications since they are  more heat resistant than latex-based and alkyd-based paints. Epoxy  paints tend to deteriorate, known as chalk out, due to UV exposure. Epoxy resin, mixed with pigment, may be used as a painting medium, by pouring layers on top of each other to form a complete picture.

Peter Zimmermann. Kith and Kin, 2010
Airbrush and epoxy resin.

Epoxy, also known as polyepoxide, is a thermosetting polymer formed from reaction of an epoxide “resin” with polyamine “hardener”. Epoxy has a wide range of applications, including fiber-reinforced plastic materials and general purpose adhesives.

Two part epoxy coatings were developed for heavy duty service on metal substrates and use less energy than heat-cured powder coatings. These systems use a 4:1 by volume mixing ratio, and dry quickly providing a tough, protective coating with excellent hardness. Their low volatility and water clean up makes them useful for factory cast iron, cast steel, cast aluminium applications and reduces exposure and flammability issues associated with solvent-borne coatings. They are usually used in industrial and automotive applications since they are more heat resistant than latex-based and alkyd-based paints. Epoxy paints tend to deteriorate, known as chalk out, due to UV exposure. Epoxy resin, mixed with pigment, may be used as a painting medium, by pouring layers on top of each other to form a complete picture.

Daisy Ginsberg, The Synthetic Kingdom

Alexandra Daisy Ginsberg is a postmodern Michelangelo — equal parts designer and researcher. Her magnum opus, The Synthetic Kingdom, is a collection of prints, animations and objects that suggest how synthetic biology might add to the tree of life. Each of its sculptures represents a speculative syn-bio curiosity, from a new strain of light-emitting bacteria that evolved from a hairball found in a patient’s stomach, to bioluminescent kidney stones in bioelectronics-factory workers.

“Synthetic biology is promising to change the world, from sustainable fuel to tumour-killing bacteria,” says Ginsberg, 28. “But personally I’m sceptical about how we should use it — just because we can do it doesn’t mean we should.” She employs these fictional objects to raise questions such as “where do we draw the line?” and “what’s natural, and what’s synthetic?”

1. COLONIC ALCHEMY
Perhaps the ultimate pathology: the patient’s waste material turned to gold. It had always been thought that gold was impossible to synthesise. Genetic testing failed to reveal the origins of these prized alchemical bacteria. Previously uncelebrated, the colon is now a place of manufacture and our most precious organ.

2. MATERIALS: DISPOSABLE CUP
Triggered by light, engineered bacteria secrete the fibrous protein KERATIN, producing a biodegradable material to replace petroleum-derived plastics.

3. KIDNEY
Inside this resin “kidney” are large glow-in-the dark “stones”

via: Wired

Closest Packing of Spheres by Buckminster Fuller, 1980 
BuckminsterFuller’s geometry shows that any sphere tangentialIy and  symmetrically surrounded by spheres of the same radius will always  produce an array of twelve balls around one ball. This phenomenon  defines what he calls the Vector Equilibrium. The transparent spheres of  this sculpture give it an ethereal quality reminiscent of a child’s  bubble blowing while lucidly presenting the concept. Faintly visible  equators illustrate the tangency of adjacent balls and the red nuclear  sphere clarifies the radial symmetry of the structure. Twenty-four rods  delineate the edges of the polyhedron uniquely determined by the nuclear  packing of spheres. Its shape is unaffected by additional layers of  balls. Two layers surround the nucleus which classifies this structure  as “two-frequency,” a term that refers to the subdivisions along each  edge.

via: artnet

Closest Packing of Spheres by Buckminster Fuller, 1980 

BuckminsterFuller’s geometry shows that any sphere tangentialIy and symmetrically surrounded by spheres of the same radius will always produce an array of twelve balls around one ball. This phenomenon defines what he calls the Vector Equilibrium. The transparent spheres of this sculpture give it an ethereal quality reminiscent of a child’s bubble blowing while lucidly presenting the concept. Faintly visible equators illustrate the tangency of adjacent balls and the red nuclear sphere clarifies the radial symmetry of the structure. Twenty-four rods delineate the edges of the polyhedron uniquely determined by the nuclear packing of spheres. Its shape is unaffected by additional layers of balls. Two layers surround the nucleus which classifies this structure as “two-frequency,” a term that refers to the subdivisions along each edge.

via: artnet

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glass

Painting of Dazzle-ships in Drydock at Liverpoolby Edward Wadsworth, 1919

Dazzle camouflage, also known as Razzle Dazzle or Dazzle painting, was a camouflage paint scheme used on ships, extensively during World War I and to a lesser extent in World War II. Credited to artist Norman Wilkinson, it consisted of a complex pattern of geometric shapes in contrasting colours, interrupting and intersecting each other.
via: wikipedia

Painting of Dazzle-ships in Drydock at Liverpool
by Edward Wadsworth, 1919

Dazzle camouflage, also known as Razzle Dazzle or Dazzle painting, was a camouflage paint scheme used on ships, extensively during World War I and to a lesser extent in World War II. Credited to artist Norman Wilkinson, it consisted of a complex pattern of geometric shapes in contrasting colours, interrupting and intersecting each other.

via: wikipedia

The Daily Dish project by Klari Reis 

“Thanks to Touba for this link. Welcome  to all my new readers. Enjoy last days of August.”

The Daily Dish project by Klari Reis

“Thanks to Touba for this link. Welcome to all my new readers.
Enjoy last days of August.”

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Klari Reis

biology

My Soul - Katharine Dowson (2005) 
Images of the mind in art and scienceDeutsches Hygiene-Museum
via: eyemagazine

My Soul - Katharine Dowson (2005)

Images of the mind in art and science
Deutsches Hygiene-Museum

via: eyemagazine

Double Helix: An Essential Component of All Living MatterJulie Chen, 1994

Structure has always been a key element in the artist’s books of Julie Chen. She was particularly intrigued by the challenge of designing a book that employed the spiral elements of the double helix. Chen’s book is actually a two-volume set fastened together. Each volume represents a single strand of DNA.

via: Smithsonian Institution

Double Helix: An Essential Component of All Living Matter
Julie Chen, 1994

Structure has always been a key element in the artist’s books of Julie Chen. She was particularly intrigued by the challenge of designing a book that employed the spiral elements of the double helix. Chen’s book is actually a two-volume set fastened together. Each volume represents a single strand of DNA.

via: Smithsonian Institution

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Julie Chen

game

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Pictograms by Warja Honegger-Lavater
Warja Honegger-Lavater (28 September 1913 - 3 May 2007) was born in Winterthur, Switzerland. She was a Swiss artist and illustrator noted primarily for working in the artist’s books genre by creating accordion fold books that re-tell classic fairy tales with symbols rather than words. - wikipedia
more books via: browardlibrary

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Pictograms by Warja Honegger-Lavater

Warja Honegger-Lavater (28 September 1913 - 3 May 2007) was born in Winterthur, Switzerland. She was a Swiss artist and illustrator noted primarily for working in the artist’s books genre by creating accordion fold books that re-tell classic fairy tales with symbols rather than words. - wikipedia

more books via: browardlibrary

(via ushishir)