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  • Enzo Mari

    Formatosi in letteratura e arte all`Accademia di Brera dal 1952 al 1956, dà al via alla propria carriera artistica negli anni 50 con mostre personali e collettive in gallerie e musei d`arte contemporanea segnalandosi come esponente di spicco dell`arte programmata e cinetica. Nel 1963 coordina il gruppo italiano “Nuove tendenze” curandone la mostra alla Biennale di Zagabria del 1965 e partecipando più volte a livello individuale alla Biennale di Venezia e alla Triennale di Milano. Negli stessi anni elabora approfonditi studi formali sulla percezione, la funzione e gli aspetti sociali del design avviando nel campo del disegno industriale un lungo sodalizio con Bruno Danese e quindi collaborando con numerose industrie per il lancio di marchi e prodotti. Convinto assertore che la bellezza di un oggetto non debba mai prescindere dalla sua funzionalità, conduce una continua ricerca e sperimentazione di nuove forme e significati del prodotto ponendosi spesso in contrapposizione con gli stilemi classici del disegno industriale. Il suo lavoro di artista-designer è premiato negli anni da numerose pubblicazioni, mostre e riconoscimenti (tra cui quattro Compassi d`oro). In tempi più recenti Enzo Mari si dedica anche alla ricerca e progettazione per l`arredamento urbano, alla pubblicazione di libri di design e per bambini, e alla didattica, con corsi universitari a Parma e a Milano e cicli di conferenze in Italia e all’estero. Molte sue creazioni fanno oggi parte delle collezioni di importanti musei di arte contemporanea italiani, europei e statunitensi.

    • 8 months ago
    • #Enzo Mari
    • #education
    • #criticism
    • #design
    • #Italy
  • centuryofthechild:

Aldo van Eyck. Drawing of sandpits, somersault frames, climbing frames, play tables, and climbing mountains. 1960
Van Eyck, like his friends Peter and Alison Smithson, was fascinated by the relationship between the child and the postwar city. He joined the Department of City Development at Amsterdam Public Works in 1947, and in the decades that followed he designed more than seven hundred playgrounds for the city. These spaces, often created from derelict lots, incorporated sandpits, metal climbing frames, stepping stones, and small concrete divots to collect rainwater in abstract compositions. Van Eyck, who considered physical recreation an important part of children’s development, defined areas for free-form activity without being closed off from the surrounding community.
Learn more at MoMA.org/centuryofthechild

    centuryofthechild:

    Aldo van Eyck. Drawing of sandpits, somersault frames, climbing frames, play tables, and climbing mountains. 1960

    Van Eyck, like his friends Peter and Alison Smithson, was fascinated by the relationship between the child and the postwar city. He joined the Department of City Development at Amsterdam Public Works in 1947, and in the decades that followed he designed more than seven hundred playgrounds for the city. These spaces, often created from derelict lots, incorporated sandpits, metal climbing frames, stepping stones, and small concrete divots to collect rainwater in abstract compositions. Van Eyck, who considered physical recreation an important part of children’s development, defined areas for free-form activity without being closed off from the surrounding community.

    Learn more at MoMA.org/centuryofthechild

    Source: centuryofthechild
    • 8 months ago
    • #Illustration
    • #moma
    • #Architecture
    • #design
    • #game
    • #Aldo van Eyck
  • locotidiano:

    Casa estudio de Luis Barragán en México D.F. (1947)
    reportaje fotográfico de Aarón Ornelas

    La casa Barragán tiene su propia web

    Source: locotidiano
    • 8 months ago
    • #Architecture
    • #Luis Barragan
    • #color theory
    • #mexico
  • Teaching materials 1920s Conceived and commissioned by Maria Montessor, Wood, dimensions variable.

Manufactured by Baroni e Marangon, Gonzaga, Italy (est. 1911). Collection of Maurizio Marzadori, Bologna. Photo: Carlos da SilvaWhile studying for her medical degree at the Regia Università di Roma Sapienza–the first woman to qualify there–Montessori developed a particular interest in the creative potential of children with learning difficulties. From systematic analysis of these children’s play, she devised an activity-based teaching method that used material objects to stimulate their senses, and she believed that children should be allowed to explore these materials at their own pace. Montessori’s 1909 publication about her innovative methods developed an international following, which led to the establishment of schools based on her philosophies around the world.

These vintage Montessori materials are part of the exhibition Century of the Child, on display at MOMA Museum.

    Teaching materials 1920s
    Conceived and commissioned by Maria Montessor, Wood, dimensions variable.

    Manufactured by Baroni e Marangon, Gonzaga, Italy (est. 1911). Collection of Maurizio Marzadori, Bologna. Photo: Carlos da Silva

    While studying for her medical degree at the Regia Università di Roma Sapienza–the first woman to qualify there–Montessori developed a particular interest in the creative potential of children with learning difficulties. From systematic analysis of these children’s play, she devised an activity-based teaching method that used material objects to stimulate their senses, and she believed that children should be allowed to explore these materials at their own pace. Montessori’s 1909 publication about her innovative methods developed an international following, which led to the establishment of schools based on her philosophies around the world.

    These vintage Montessori materials are part of the exhibition Century of the Child, on display at MOMA Museum.

    • 8 months ago
    • #Maria Montessori
    • #education
    • #Montessori materials
    • #game
    • #moma
    • #color theory
  • Maria Montessori

    Maria Montessori

    • 8 months ago
    • #Maria Montessori
    • #education
    • #Italy
    • #portrait
  • “A little learning is a dangerous thing.
    — Alexander Pope.”
    — An Essay on Criticism by Alexander Pope
    • 8 months ago
    • #education
    • #criticism
    • #Alexander Pope
    • #quote
  • The wonders of Possibility, sci-fi anthology, under the supervision of Sergio Solmi and Carlo Fruttero, Einaudi Edition.

    The wonders of Possibility, sci-fi anthology, under the supervision of Sergio Solmi and Carlo Fruttero, Einaudi Edition.

    • 8 months ago
    • #Italy
    • #cover
    • #science
    • #book
    • #lit
    • #design
    • #color theory
  • — Cercando completamente altro.

Bischi G.I., Carini R., Gardini L., Tenti P., Sulle Orme del Caos. Comportamenti complessi in modelli matematici semplici, Bruno Mondadori Editore, 2004.
via: econ.uniurb

    — Cercando completamente altro.

    Bischi G.I., Carini R., Gardini L., Tenti P., Sulle Orme del Caos. Comportamenti complessi in modelli matematici semplici, Bruno Mondadori Editore, 2004.

    via: econ.uniurb

    • 8 months ago
    • #cazzate
    • #chaos
    • #Italy
  • Didactic plaques found in the National Tile Museum in Lisbon, Portugal. Top image is a geometrical schema of a pentagon followed by a geometrical schema of a pyramid. Photo by Eve Torrence.

    Didactic plaques found in the National Tile Museum in Lisbon, Portugal. Top image is a geometrical schema of a pentagon followed by a geometrical schema of a pyramid. Photo by Eve Torrence.

    • 8 months ago
    • #geometry
    • #math
    • #education
    • #history
  • Double helix shadow on an old dive tank in Kaka’ako, Honolulu, Hawai’i by Mark Ewald.

    Double helix shadow on an old dive tank in Kaka’ako, Honolulu, Hawai’i by Mark Ewald.

    • 8 months ago
    • #DNA
    • #math
    • #Architecture
  • This statuary is located at the entrance to the German Historical Museum in Berlin. The tablet contains the “Bride’s Chair diagram“ for proving the “Pythagorean Theorem” and the diagram used for constructing the circumcenter of a triangle. Photo by Charles F. Marion.

    This statuary is located at the entrance to the German Historical Museum in Berlin. The tablet contains the “Bride’s Chair diagram“ for proving the “Pythagorean Theorem” and the diagram used for constructing the circumcenter of a triangle. Photo by Charles F. Marion.

    • 8 months ago
    • #math
    • #geometry
  • I’m hungry!!! Marine worm courtesy of Philippe Crassous

    I’m hungry!!!
    Marine worm courtesy of Philippe Crassous

    • 8 months ago
    • #science
    • #biology
    • #sem
  • WAR IN OUR HUMAN TRENCHES
The captions shows the dramatic encounter, in the liver, of our unsung heroes, the immune cells, and an invading parasite, the trypanosome. Each side bears an impressive arsenal of chemical weapons that will define at the end the unset, or not, of the Sleeping Sickness. 
via: FEI Company

    WAR IN OUR HUMAN TRENCHES

    The captions shows the dramatic encounter, in the liver, of our unsung heroes, the immune cells, and an invading parasite, the trypanosome. Each side bears an impressive arsenal of chemical weapons that will define at the end the unset, or not, of the Sleeping Sickness. 

    via: FEI Company

    • 8 months ago
    • #SEM
    • #anatomy
    • #biology
    • #science
    • #education
  • Slonimsky and John Cage, Los Angeles 1987 “enmeshed in the twisted musical ribbon” of Slonimsky’s invention called “Mobius Strip Tease”. Photo by Margo Leavin

    Slonimsky and John Cage, Los Angeles 1987 “enmeshed in the twisted musical ribbon” of Slonimsky’s invention called “Mobius Strip Tease”. Photo by Margo Leavin

    • 8 months ago
    • #John Cage
    • #music
    • #non linear
    • #portrait
    • #history
  • The World Explained. A Microhistorical Encyclopedia

    Divided over three exhibition projects taken place in Sao Paulo, Barcelona, and Amsterdam, Beltrán interviewed a large number of people and collected a variety of personal theories on all kind of subjects. He drew his inspiration from micro-history, a genre in cultural history that focuses on personal stories and apparently minor events, sketching a picture of a culture or mentality of a particular period. ‘Our view of the world is determined not just by what we have learned about the world or even what we have actually experienced,’ Beltrán explains. ‘It consists to a large extent of suspicions, makeshift connections and personal interpretations.’

    book via: Roma Publications

    • 9 months ago
    • #book
    • #art
    • #exhibition
    • #Encyclopedias
    • #education
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